Interview with Heather Smith, author of BAYGIRL

We're pretty excited to have a guest with us today: Heather Smith, the author of Baygirl, which hit shelves this month. And we're doubly excited to be hosting her launch at the store this saturday.

Hi Heather! I’m so happy to get a chance to chat with you (and to be a part of your launch!!). First off, can you tell us a little about yourself?

I was born and raised in Newfoundland but now live in Waterloo with my husband and three children. I enjoy running and drinking green tea (not at the same time, that would be dangerous). I’m a terrible multi-tasker and am easily distracted. I actually don’t know how I managed to write a book, but I did, and I hope to do so again, many times over (I’d write different ones of course, writing Baygirl again would be silly).

You are delightful. Okay, in one or two sentences, tell us about Baygirl. Why did you write this book in particular?

Baygirl is the story of a sixteen year old girl whose typical teenage struggles (fitting in, falling in love, finding oneself) are further complicated by the unpredictable behaviour of her alcoholic father.

Although I cannot relate to Kit’s predicament firsthand, as a teenager I had a couple of close friends whose fathers were alcoholics and, as a result, have seen and heard things that stick with me to this day. I’ve witnessed major blow-outs (like the ones Kit and her father regularly have in the book), as well as other, more subtle interactions that can be equally damaging – snide remarks, accusing looks, cold shoulders. I always wondered - how does one forgive the person who has caused them to live their life walking on eggshells?  This is the question I wanted to explore when writing Baygirl. This is why forgiveness is Kit’s biggest dilemma.

Alcoholism touches the lives of many people, both directly and indirectly. That is why Kit’s story was an important one to tell. I hope that anyone, teen or adult, who has spent their life walking on eggshells, can find some comfort in Baygirl.  

Addiction can have such a devastating effect on a person’s life, along with the lives of those they love, and it’s a very difficult thing to escape if one manages to escape it. But it's a real thing that happens to families, and in light of that, I think you portray Kit’s father in a way that’s really fair.

Because we’ve chatted before, I know that you’re originally from St. John’s. Why did you choose to split the book between the city of St. John’s and the town of Parsons Bay?

Yes, St. John’s is my birthplace … which makes me a townie! When writing Baygirl, I thought it would be fun to give my main character a different perspective from my own, so Kit became a “baygirl”.  Splitting the book between the “town” and the “bay” really drove home the differences between the two places and, ultimately, the people who live there. Highlighting the prejudices and preconceived notions that townies have of people from the bay (and vice versa) added to the drama of Kit’s move to the city … as if she didn’t have enough problems!

I really loved your contrast of the town versus the bay. As someone who grew up on a farm but now lives in the city, I could definitely relate to Kit and the uncertainty she feels about where she belongs.

I have to say that my favourite character overall was definitely Kit’s new neighbour, Mr. Adams. He was so endearing, he made me laugh out loud, and his dialect was delightful. You captured him so perfectly. Who was your favourite character to write? Who gave you the most trouble?

My favourite character to write was Mr. Adams. I knew when writing Baygirl that Mr. Adams would be an Englishman and making him hail from Yorkshire was a no-brainer. You see, thanks to the delightful writings of James Herriot, I have a major obsession with the Yorkshire Dales.  In All Creatures Great and Small, Herriot paints a picture of the Dales that is so appealing it makes me want to trade in my life in Canada for a thatched cottage in a Yorkshire village full of quirky townsfolk. It makes me want to pull on a pair of wellie boots and a wax jacket and go frolicking through the dewy meadows. Given my fascination with James Herriot, I’d be gormless (I say, gormless!) not to make Mr. Adams from Yorkshire.

The character who gave me the most trouble was … Mr. Adams. Ee by gum, that dialect was tricky!

Wow, I would never have guessed that you had trouble with him. He really was perfect. And a thatched cottage in a Yorkshire village sounds so cozy and quaint!

Without giving too much away, writing (and writing poetry specifically) becomes a way for Kitty to work through the things that are happening in her life. Was that a conscious decision on your part, or did that happen naturally?

This was not a conscious decision at all. This book was written fairly chronologically, so when I got to the part where Kit was missing Parsons Bay having her write a letter to Anne-Marie came naturally. I wanted to illustrate how devastating moving away can be by showing, through Kit’s letter writing, how her and Anne-Marie were drifting apart. This naturally evolved into writing becoming an outlet for Kit and, from there, became more of a theme throughout the novel.

How long did it take you to write this book? What was the hardest part and what was the best part?

I started writing Baygirl many years ago when I was in a writing class led by Kathy Stinson. The book got off to a great start but, at the time, I had three young children and writing time was limited.  It eventually became a forgotten file, lost on my computer, until two years ago, when my youngest started school full-time. It was then that Baygirl was resurrected and I was able to give it the quality time it deserved.

Find Heather on her website and on twitter. 

The hardest part of writing Baygirl was the editing process, although I think a more fitting word would be challenging. I say this only because Baygirl is my first published novel and the whole process was new. I’d never worked with an editor before and the whole idea was initially daunting. As it turned out, however, the editing process was also thoroughly enjoyable. My editor, Sarah Harvey, was (is!) fantastic and working under deadlines made me push myself in ways that only a ticking clock can do. I loved the going back and forth, the tightening of text, the whittling down of words. The whole process truly made me a better writer.

The best part of writing Baygirl was when I’d be struck by moments of clarity - when the tangled knot of words I’d been staring at for hours would magically unravel to become what my mind’s eye had intended them to be. It really is the best feeling and is my favourite part of writing in general.

Are you like Kitty - do you use writing as a way to work through things or respond to the world around you? Or do you write for other reasons?

I absolutely write as a way to work through or respond to things. I don’t know how many times I have written full essays that never see the light of day. For me, the act of writing it down is a release. Once it’s on paper I can move on.

Mostly I write because I have no space in my head for the stories that live there, so I evict them and help them find their home on paper.

Do you have a special or favourite place to write?

At home, in my empty, quiet house.

Because writing and reading are so inter-related, I have to ask: what have you been reading lately that you want to shout about from the rooftops?

The last three books I have read have all been great and are all very different from each other.

Annabel, by Kathleen Winter.  Beautiful, haunting, one that stays with you long after you’ve snapped the book shut.

The Rosie Project, by Graeme Simsion. This book reads like a Hollywood romantic comedy script, which isn’t always my thing. But the main character is so quirkily charming I was quickly whisked off my feet and didn’t touch solid ground again until I’d reached the last page.

Three Day Road, by Joseph Boyden. Interesting look at World War I through the eyes of an aboriginal solider. I’m always amazed when horrible things are told in a beautiful way.

Ah, I’ve been wanting to read Annabel for a long time now. Maybe this will be my reason to finally pick it up.

Okay, last of all, what are you working on right now? Can you tell us a little bit about your next project or is it top secret?

My latest project is about a teenaged boy who, in a bid for attention, vandalizes a war memorial just days before Remembrance Day. After navigating the youth justice system alone, he is placed in a community service program in which he must regularly meet with a World War II veteran. The subject matter is pretty heavy at times but the stories that are told are ones that should never be forgotten.

Whoa. I am intrigued. I can’t wait to read it! Thanks so much for answering all my questions, Heather, and I look forward to your upcoming launch!

Words Worth Books will be hosting Heather's book launch this saturday, September 21, starting at 7pm. Come hear Heather read from the book, pick up your own signed copy, and enjoy some Newfoundland songs and snacks.

Q & A with Vikki Vansickle

Vikki VanSickle is the author of three middle grade books: Words That Start With B, Love is a Four-Letter-Word, and Days That End in Y. Her most recent book, Summer Days, Starry Nights, is a YA novel that was just released this month.

Kristen: Vikki, I mention in my review that I couldn’t put Summer Days, Starry Nights down. It cast this warm, lovely spell over me, which is why I was so excited about this interview. I have so many questions!

Vikki: Yay! That is so nice of you to say!

Kristen: First of all, where did this story come from or what inspired you to write it?

Vikki: Reenie Starr literally walked into my head one day while I was on a two day break between camp sessions up north, staying at a friend’s house in Sudbury. I had a very clear sense of her voice and her family right away.

When I was a child my family rented a cottage on a family resort much like Sandy Shores for a week on Lake Dalrymple (near Orillia, ON), which I loved. I never wanted to leave, and so as an adult I imagined what it would be like to live there! One of the joys of fiction-writing is living out your own fantasies (to an extent).

Kristen: I loved everything about the setting: northern Ontario, the resort environment, the 60s! What about this place and time period appeals to you?

Vikki: I’ve always loved the 60s, particularly the music and the sense of change that was in the air. My favourite kind of story is a poignant coming of age tale and in the 60s it was like the whole world was coming of age. It was a particularly interesting time for women. All three women in the story, Reenie, Gwen, and Mimi, are products of their respective eras and are pushing against what was expected for girls at the time. Mimi is less successful, but in 1960s women were breaking boundaries all over the place. I read two fabulous nonfiction titles about women and music in the 60s, Girls Like Us by Sheila Weller and Girl Groups, Girl Culture by Jacqueline Warwick, which really helped shape Gwen’s character and provide insight into what the music industry was like for women at the time.

As for the location, it was loosely based on the resort my family visited when I was a child. I have very vivid memories of my time there. I’ve always associated summer with the 60s, probably due to movies like Dirty Dancing, My Girl, and My American Cousin. A summer story NOT set up north would have been very strange for me!

Kristen: Mimi, despite her flaws, was probably my favourite character in the book. I really felt her longing, and her sadness, and I so badly wanted to know why she was the way she was. Her running away right at the beginning had me immediately hooked. Which was your favourite character to write and why?

Vikki: I’m glad you felt for Mimi! She was the most interesting and difficult character to write because she makes some bad parenting decisions which end up hurting her children, particularly Reenie. Depression was not talked about widely in the 50s and 60s. Mimi would probably not refer to her own sadness as something as chronic as depression, which is something people today still don’t do and why it’s important to be open about mental illness. Mimi isn’t a bad mother, nor does she hate her lot in life. But she does have difficulty facing the world sometimes.

Gwen was the most fun to write about. She is the cool, older sister I would have loved to have. I love how fully she embraces life and how willing she is to take risks. She is the girl Mimi could have been in a different time period given different choices.  

Kristen: How long did it take to write Summer Days, Starry Nights? Was the process mostly the same as your other three books, or completely different?

Vikki: The process was similar in that I didn’t write in order. I don’t outline and I am wary of too much pre-planning. Instead I wade around the story, jump from scene to scene, and try things out until I eventually have so much material I need to step back and think about ordering it in some way.  

Summer Days, Starry Nights took a bit longer to write (about 2 years) and was almost double the length it is now. Originally it took place over a number of years and was titled The Seven Summers of Reenie Starr (I still really like this title, although it clearly doesn’t work anymore!) Eventually I realized a lot of those summers were back story for my benefit, but the reader didn’t need to be privy to all that detail. This meant that I made a huge cut, which is something I’ve never done before. It was scary, but also very liberating.

Kristen: I'm fascinated by authors who write out of order. I'm also curious about where you write. Do you have a special or favourite place?

Vikki: I tend to write in my room or in a little sun room/office space off the kitchen in the house I share with my roommates in Toronto. I prefer to write early in the morning when my brain is open and no one else is up yet. I drink pots and pots of tea and take many breaks to pet the cat. If I don’t, she takes it out on my poor laptop!

Kristen: Okay, more writing-related questions: Why do you write? What are the best and worst parts? What was your favourite part of writing Summer Days, Starry Nights?

Vikki: I love people. All of my books start with a character’s voice in my head. Eventually it gets to the point where I can’t ignore the voice and so I start writing. For me, the best part of writing is getting carried away by the story and all of a sudden two hours have gone by and you have a new twist or a new character.

The worst part for me is breaking to go about the regular business of life, like going to work or doing chores. Some days my story is taking up such a huge part of my brain it’s a miracle I can get anything else done!

Kristen: What have you been reading lately that you absolutely love? Or what is one of your all-time favourite books? (Feel free to name a few if you can’t pick just one.)

Vikki: I am bad at picking favourites, but lately I have loved Eleanor & Park by Rainbow Rowell and Code Name Verity by Elizabeth Wein. One of my favourite summer books is Kit Pearson’s Looking at the Moon. I love how Pearson catches the mood of the 1940s and Nora’s growing sense of self in the world around her. In some ways Summer Days, Starry Nights is just as much a tribute to that book as it is to Dirty Dancing.

Kristen: I definitely felt the Kit Pearson influence in Summer Days, Starry Nights, which I adored. And I loved Eleanor & Park too! Ow, my heart. Okay, last question: Do you have a favourite band from the 60s?

Vikki: Again, I am terrible at picking just ONE, but I love The Marvelettes, The Shirelles, The Crystals, Lesley Gore, and The Beatles (of course)!

Kristen: Thanks so much for taking the time to answer my questions, and thank you doubly for writing such a lovely book!

For those of you who haven't read Summer Days, Starry Nights yet, check out our review and Vikki's awesome pinterest board, and then go grab it!